{"id":348,"date":"2017-01-27T14:47:45","date_gmt":"2017-01-27T14:47:45","guid":{"rendered":"http:\/\/www.red03.com\/2016\/?p=348"},"modified":"2020-06-22T13:27:37","modified_gmt":"2020-06-22T13:27:37","slug":"frederic-couraillon","status":"publish","type":"post","link":"https:\/\/www.red03.com\/2016\/frederic-couraillon\/","title":{"rendered":"Fr\u00e9d\u00e9ric Couraillon"},"content":{"rendered":"<p style=\"text-align: justify;\"><i>\u00abLe bestiaire des limbes\u00bb<\/i><br \/>\n<em>Dessins de Fr\u00e9d\u00e9ric Couraillon<\/em><br \/>\n<em>Papier froiss\u00e9, huil\u00e9, tach\u00e9, piqu\u00e9, frottis de terre et de charbon, averses de traits, empreintes de doigts. Le ciel<\/em><br \/>\n<em>uniforme de la feuille, d&#8217;abord soumis aux intemp\u00e9ries du geste et des mat\u00e9riaux, acquiert un grain organique,<\/em><br \/>\n<em>la consistance d&#8217;une mati\u00e8re vivante et l&#8217;irr\u00e9gularit\u00e9 d&#8217;un paysage.<\/em><br \/>\n<em>L&#8217;abstraction du dessin se trouve ainsi r\u00e9cus\u00e9e, attestant un go\u00fbt profond pour les aventures de la mati\u00e8re &#8211;<\/em><br \/>\n<em>exploration continu\u00e9e avec d&#8217;autres moyens dans la p\u00e2te des tableaux, qui, dans la lign\u00e9e d&#8217;un Monticelli, semble<\/em><br \/>\n<em>faite de pierres pr\u00e9cieuses \u00e9cras\u00e9es.<\/em><br \/>\n<em>Eloge d&#8217;un \u00e9tat rupestre de l&#8217;expression? Peindre et dessiner \u00e0 m\u00eame la terre, l&#8217;herbe et les pierres, renouer<\/em><br \/>\n<em>avec les substances primordiales d&#8217;un monde que nous n&#8217;encombrons pas encore\u2026<\/em><br \/>\n<em>C\u00e9cile Kermet<\/em><\/p>\n<p><b><i>Principales exposiciones<\/i><\/b><\/p>\n<p>PINTURAS DIBUJOS GRABADOS<br \/>\nGalerias<br \/>\nGaleria Lucie Weill &amp; Seligmann, Charles Zalber, Paris 6<br \/>\nGaleria La Louve, Guy Denis, Luft\u00e9mont, B\u00e9lgica<br \/>\nGaleria \u00ab Red 03 \u00bb, Barcelona, Espa\u00f1a<br \/>\n2009<\/p>\n<p>Exposici\u00f3n personal :<br \/>\nDibujos, en la galer\u00eda \u201cLa Louve\u201d, Guy denis, B\u00e9lgica<br \/>\nDibujos, pinturas, grabados en B\u00e9tera (Valencia), Espa\u00f1a<br \/>\nGrabados, Etres Art Grafic, Barcelona, Espa\u00f1a<br \/>\nSal\u00f3n del \u00ab Dessin Contemporain Paris 2009 \u00bb presentado por<br \/>\nla galer\u00eda Lucie Weill &amp; Seligmann, Charles Zalber<br \/>\nGrabados en la galer\u00eda \u201cRed 03\u201d, Barcelona<br \/>\n2008<br \/>\nCaf\u00e9oth\u00e8que, Soluna Caf\u00e9, Paris 4<br \/>\nAcanthe, la Fert\u00e9 Loupi\u00e8re (Yonne)<br \/>\nCastillo de La Houssaye, en Malay le Grand (Yonne)<br \/>\nLa M\u00e9tairie Bruy\u00e8re, grabados, en Parly (Yonne),<br \/>\nCaf\u00e9 Le Maquis en Vareilles (Yonne)<br \/>\nC\u00edrculo de las Bellas Artes de Valencia, Espa\u00f1a<\/p>\n<p>Exposici\u00f3n colectiva :<br \/>\n\u00ab Centre d\u2019Art et de Litt\u00e9rature \u00bb H\u00f4tel Beury, en l\u2019Echelle,<br \/>\npara los 3O anos de las ediciones OBSIDIANE<br \/>\nArt-metz Feria internacional del arte contempor\u00e1neo<\/p>\n<p>Libro : grabado y dibujo para un libro sobre un poema de Jean<br \/>\nBaptiste de Seynes<br \/>\n2007<\/p>\n<p>Exposici\u00f3n personal :<br \/>\nL\u00e9na &amp; Bradford S\u00e9lections, Paris 3<br \/>\nSala de exposici\u00f3n en Saint Julien du Sault (Yonne)<\/p>\n<p>Exposici\u00f3n colectiva :<br \/>\nSala de exposici\u00f3n en Villeneuve-sur-Yonne (Yonne)<br \/>\n2006<\/p>\n<p>Exposici\u00f3n personal : M J C de Sens (Yonne)<\/p>\n<p>Exposici\u00f3n colectiva : Sal\u00f3n de Fresnes (Val-de-Marne)<br \/>\n2005<\/p>\n<p>Exposici\u00f3n personal :<br \/>\nPrieur\u00e9 de l\u2019Enfourchure, Les Bordes (Yonne)<\/p>\n<p>Exposici\u00f3n colectiva :<br \/>\nSal\u00f3n de Fresnes (Val-de-Marne), Premio del jurado<br \/>\nFeria de Strasbourg<br \/>\n2004<\/p>\n<p>Libro : Animaux, libro en colaboraci\u00f3n con<br \/>\nLE M\u00c2CHE-LAURIER ediciones Obsidiane, realizaci\u00f3n de<br \/>\ngrabados. Presentaci\u00f3n del libro en la Galer\u00eda d\u2019Amilly<br \/>\n(Loiret). Exposici\u00f3n del libro en el Museo de Sens<\/p>\n<p>Exposici\u00f3n colectiva :<br \/>\nChacun sa vague, Centro del Arte S\u00e9bastien en<br \/>\nSaint-Cyr-Sur-Mer, y en Pont-Sainte-Marie<br \/>\n2003<\/p>\n<p>Exposici\u00f3n personal :<br \/>\nGaler\u00eda Atelier Art Actuel, Christian Croset, en Nogent-sur-<br \/>\nMarne, (Val-de-Marne)<br \/>\nArt.metz, Feria internacional del arte contempor\u00e1neo<br \/>\nFeria de Libramont (B\u00e9lgica)<\/p>\n<p>Exposici\u00f3n colectiva :<br \/>\nCREA, sobre la chalana de K.Lounge en Paris<\/p>\n<p>Libro : Grabado en frontispice para el libro Gr\u00e2ces et<br \/>\ndisgr\u00e2ces de l\u2019oeil du cul de Don Francisco de Quevedo y<br \/>\nVellegas<br \/>\n2002<\/p>\n<p>Libro : Grabados para el M\u00c2CHE-LAURIER, revista de poes\u00eda<br \/>\nn\u00b018, ediciones Obsidiane<br \/>\n2001<\/p>\n<p>Libro : Grabado en frontispice para el libro Secrets de Jean<br \/>\nPaulhan<\/p>\n<p>Exposici\u00f3n colectiva :<br \/>\nSal\u00f3n de Fresnes, (Val-de-Marne), Premio del jurado, Sal\u00f3n<br \/>\nde Pontault-Combault -Premio del jurado &#8211; Adquisici\u00f3n de una<br \/>\nobra<br \/>\nGaler\u00eda Icauna en Saint Julien du Sault, exposici\u00f3n con Jean-<br \/>\nPierre Pincemin<br \/>\n2000<\/p>\n<table border=\"0\" width=\"100%\" cellspacing=\"0\" cellpadding=\"5\" align=\"center\">\n<tbody>\n<tr>\n<td>\n<p align=\"justify\"><span class=\"textes\">Pierre Pincemin<br \/>\n2000<\/span><\/p>\n<p>Exposici\u00f3n colectiva : Galer\u00eda Michel Ray, Paris Sal\u00f3n de<br \/>\nMarne-la-Vall\u00e9e<br \/>\nBufete de abogados, Bruno Delafosse presenta Albertelli-<br \/>\nCouraillon, Paris<br \/>\nPublicacion de un dibujo en Passage d\u2019encres 13 ediciones \u201c\u00e0<br \/>\nbras le corps\u201d<br \/>\n1999<\/p>\n<p>Exposici\u00f3n colectiva : Galer\u00eda Michel Ray, Paris<br \/>\n1998<\/p>\n<p>Exposici\u00f3n colectiva :<br \/>\nEspacio Argence, Troyes, (Aube)<br \/>\nGaler\u00eda Image, Flavigny (Yonne)<br \/>\nTrabaja en el Molino del Rey de Jean-Pierre Pincemin en Sens<br \/>\n1997 et 1994<br \/>\nSala de exposici\u00f3n Voltaire, asociaci\u00f3n PH, Sens<br \/>\nexposici\u00f3n colectiva.<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<div align=\"justify\"><\/div>\n<div align=\"justify\">\n<p>&nbsp;<\/p>\n<p style=\"text-align: left;\"><script>(function() {\n\twindow.mc4wp = window.mc4wp || {\n\t\tlisteners: [],\n\t\tforms: {\n\t\t\ton: function(evt, cb) {\n\t\t\t\twindow.mc4wp.listeners.push(\n\t\t\t\t\t{\n\t\t\t\t\t\tevent   : evt,\n\t\t\t\t\t\tcallback: cb\n\t\t\t\t\t}\n\t\t\t\t);\n\t\t\t}\n\t\t}\n\t}\n})();\n<\/script><!-- Mailchimp for WordPress v4.10.2 - https:\/\/wordpress.org\/plugins\/mailchimp-for-wp\/ --><form id=\"mc4wp-form-1\" class=\"mc4wp-form mc4wp-form-2102\" method=\"post\" data-id=\"2102\" data-name=\"Suscripcion a mailing list  red03\" ><div class=\"mc4wp-form-fields\"><p><strong>\r\n  Suscribirse a mailing list <\/strong>\r\n<\/p>\r\n<p>\r\n    <label>Nombre<\/label>\r\n    <input type=\"text\" name=\"FNAME\">\r\n<\/p>\r\n<p>\r\n    <label>Apellido<\/label>\r\n    <input type=\"text\" name=\"LNAME\">\r\n<\/p>\r\n<p>\r\n\t<label>Direcci\u00f3n de correo electr\u00f3nico: <\/label>\r\n\t<input type=\"email\" name=\"EMAIL\" placeholder=\"Tu direcci\u00f3n de correo electr\u00f3nico\" required \/>\r\n<\/p>\r\n<p>\r\n    <label>Acci\u00f3n<\/label>\r\n    <label>\r\n        <input name=\"_mc4wp_action\" type=\"radio\" value=\"subscribe\" required=\"\"\r\n        checked=\"true\"> <span>Subscribe<\/span>\r\n    <\/label>\r\n    <label>\r\n        <input name=\"_mc4wp_action\" type=\"radio\" value=\"unsubscribe\" required=\"\"> <span>Unsubscribe<\/span>\r\n    <\/label>\r\n<\/p>\r\n<p>\r\n    <label>\r\n        <input name=\"AGREE_TO_TERMS\" type=\"checkbox\" value=\"1\" required=\"\"> <a href=\"https:\/\/www.red03.com\/2016\/condiciones\/\" target=\"_blank\">He le\u00eddo y acepto los t\u00e9rminos y condiciones<\/a>\r\n    <\/label>\r\n<\/p>\r\n<p>\r\n\t<input type=\"submit\" value=\"Registro\" \/>\r\n<\/p><\/div><label style=\"display: none !important;\">Deja vac\u00edo este campo si eres humano: <input type=\"text\" name=\"_mc4wp_honeypot\" value=\"\" tabindex=\"-1\" autocomplete=\"off\" \/><\/label><input type=\"hidden\" name=\"_mc4wp_timestamp\" value=\"1781354628\" \/><input type=\"hidden\" name=\"_mc4wp_form_id\" value=\"2102\" \/><input type=\"hidden\" name=\"_mc4wp_form_element_id\" value=\"mc4wp-form-1\" \/><div class=\"mc4wp-response\"><\/div><\/form><!-- \/ Mailchimp for WordPress Plugin --><\/p>\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>\u00abLe bestiaire des limbes\u00bb Dessins de Fr\u00e9d\u00e9ric Couraillon Papier froiss\u00e9, huil\u00e9, tach\u00e9, piqu\u00e9, frottis de terre et de charbon, averses de traits, empreintes de doigts. Le ciel uniforme de la feuille, d&#8217;abord soumis aux intemp\u00e9ries du geste et des mat\u00e9riaux, acquiert un grain organique, la consistance d&#8217;une mati\u00e8re vivante et l&#8217;irr\u00e9gularit\u00e9 d&#8217;un paysage. L&#8217;abstraction du [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2569,"comment_status":"open","ping_status":"open","sticky":false,"template":"template-gutenberg.php","format":"standard","meta":{"seo_booster_metabox":""},"categories":[127],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.red03.com\/2016\/wp-json\/wp\/v2\/posts\/348"}],"collection":[{"href":"https:\/\/www.red03.com\/2016\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.red03.com\/2016\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.red03.com\/2016\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.red03.com\/2016\/wp-json\/wp\/v2\/comments?post=348"}],"version-history":[{"count":4,"href":"https:\/\/www.red03.com\/2016\/wp-json\/wp\/v2\/posts\/348\/revisions"}],"predecessor-version":[{"id":3896,"href":"https:\/\/www.red03.com\/2016\/wp-json\/wp\/v2\/posts\/348\/revisions\/3896"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.red03.com\/2016\/wp-json\/wp\/v2\/media\/2569"}],"wp:attachment":[{"href":"https:\/\/www.red03.com\/2016\/wp-json\/wp\/v2\/media?parent=348"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.red03.com\/2016\/wp-json\/wp\/v2\/categories?post=348"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.red03.com\/2016\/wp-json\/wp\/v2\/tags?post=348"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}