{"id":4335,"date":"2020-07-14T19:05:24","date_gmt":"2020-07-14T19:05:24","guid":{"rendered":"https:\/\/www.red03.com\/2016\/?p=4335"},"modified":"2020-07-14T19:06:16","modified_gmt":"2020-07-14T19:06:16","slug":"frederic-couraillon-2","status":"publish","type":"post","link":"https:\/\/www.red03.com\/2016\/frederic-couraillon-2\/","title":{"rendered":"Fr\u00e9d\u00e9ric Couraillon Bio"},"content":{"rendered":"<p style=\"text-align: left;\">Le bestiaire des limbes\u201d<br \/>\nDessins de Fr\u00e9d\u00e9ric Couraillon<br \/>\nPapier froiss\u00e9, huil\u00e9, tach\u00e9, piqu\u00e9, frottis de terre et de charbon, averses de traits, empreintes de doigts. Le ciel<br \/>\nuniforme de la feuille, d\u2019abord soumis aux intemp\u00e9ries du geste et des mat\u00e9riaux, acquiert un grain organique,<br \/>\nla consistance d\u2019une mati\u00e8re vivante et l\u2019irr\u00e9gularit\u00e9 d\u2019un paysage.<br \/>\nL\u2019abstraction du dessin se trouve ainsi r\u00e9cus\u00e9e, attestant un go\u00fbt profond pour les aventures de la mati\u00e8re \u2013<br \/>\nexploration continu\u00e9e avec d\u2019autres moyens dans la p\u00e2te des tableaux, qui, dans la lign\u00e9e d\u2019un Monticelli, semble<br \/>\nfaite de pierres pr\u00e9cieuses \u00e9cras\u00e9es.<br \/>\nEloge d\u2019un \u00e9tat rupestre de l\u2019expression? Peindre et dessiner \u00e0 m\u00eame la terre, l\u2019herbe et les pierres, renouer<br \/>\navec les substances primordiales d\u2019un monde que nous n\u2019encombrons pas encore\u2026<br \/>\nC\u00e9cile Kermet<\/p>\n<p>Principales exposiciones<\/p>\n<p>PINTURAS DIBUJOS GRABADOS<br \/>\nGalerias<br \/>\nGaleria Lucie Weill &amp; Seligmann, Charles Zalber, Paris 6<br \/>\nGaleria La Louve, Guy Denis, Luft\u00e9mont, B\u00e9lgica<br \/>\nGaleria \u00ab Red 03 \u00bb, Barcelona, Espa\u00f1a<br \/>\n2009<\/p>\n<p>Exposici\u00f3n personal :<br \/>\nDibujos, en la galer\u00eda \u201cLa Louve\u201d, Guy denis, B\u00e9lgica<br \/>\nDibujos, pinturas, grabados en B\u00e9tera (Valencia), Espa\u00f1a<br \/>\nGrabados, Etres Art Grafic, Barcelona, Espa\u00f1a<br \/>\nSal\u00f3n del \u00ab Dessin Contemporain Paris 2009 \u00bb presentado por<br \/>\nla galer\u00eda Lucie Weill &amp; Seligmann, Charles Zalber<br \/>\nGrabados en la galer\u00eda \u201cRed 03\u201d, Barcelona<br \/>\n2008<br \/>\nCaf\u00e9oth\u00e8que, Soluna Caf\u00e9, Paris 4<br \/>\nAcanthe, la Fert\u00e9 Loupi\u00e8re (Yonne)<br \/>\nCastillo de La Houssaye, en Malay le Grand (Yonne)<br \/>\nLa M\u00e9tairie Bruy\u00e8re, grabados, en Parly (Yonne),<br \/>\nCaf\u00e9 Le Maquis en Vareilles (Yonne)<br \/>\nC\u00edrculo de las Bellas Artes de Valencia, Espa\u00f1a.<br \/>\n2007<br \/>\nL\u00e9na &amp; Bradford S\u00e9lections, Paris 3<br \/>\nSala de exposici\u00f3n en Saint Julien du Sault (Yonne)<br \/>\n2004<br \/>\nLibro : Animaux, libro en colaboraci\u00f3n con<br \/>\nLE M\u00c2CHE-LAURIER ediciones Obsidiane, realizaci\u00f3n de<br \/>\ngrabados. Presentaci\u00f3n del libro en la Galer\u00eda d\u2019Amilly<br \/>\n(Loiret). Exposici\u00f3n del libro en el Museo de Sens<br \/>\n2003<br \/>\nArt.metz, Feria internacional del arte contempor\u00e1neo<br \/>\nFeria de Libramont (B\u00e9lgica)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le bestiaire des limbes\u201d Dessins de Fr\u00e9d\u00e9ric Couraillon Papier froiss\u00e9, huil\u00e9, tach\u00e9, piqu\u00e9, frottis de terre et de charbon, averses de traits, empreintes de doigts. Le ciel uniforme de la feuille, d\u2019abord soumis aux intemp\u00e9ries du geste et des mat\u00e9riaux, acquiert un grain organique, la consistance d\u2019une mati\u00e8re vivante et l\u2019irr\u00e9gularit\u00e9 d\u2019un paysage. L\u2019abstraction du [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"seo_booster_metabox":""},"categories":[206],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.red03.com\/2016\/wp-json\/wp\/v2\/posts\/4335"}],"collection":[{"href":"https:\/\/www.red03.com\/2016\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.red03.com\/2016\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.red03.com\/2016\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.red03.com\/2016\/wp-json\/wp\/v2\/comments?post=4335"}],"version-history":[{"count":2,"href":"https:\/\/www.red03.com\/2016\/wp-json\/wp\/v2\/posts\/4335\/revisions"}],"predecessor-version":[{"id":4337,"href":"https:\/\/www.red03.com\/2016\/wp-json\/wp\/v2\/posts\/4335\/revisions\/4337"}],"wp:attachment":[{"href":"https:\/\/www.red03.com\/2016\/wp-json\/wp\/v2\/media?parent=4335"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.red03.com\/2016\/wp-json\/wp\/v2\/categories?post=4335"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.red03.com\/2016\/wp-json\/wp\/v2\/tags?post=4335"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}